THEY ARE STANDING HERE!!!!!! [#twitterfoundpoem, October 23, 2010]
Tweets+Edits=#twitterfoundpoem
Can't turn on the TV without being bombarded with Demonic shit!!!!!
Demons are REAL. they are Standing here.
maybe someone already said that.
and maybe they will invade my thoughts.
they are Standing here
and ready to attack and Have me (personally) defenestrate me!!!!!
I turn Off the TV
and they are still Standing here!!!!!
Demonic Toys or New Years Evil
getting ready to do battle,
defenestrate someone out of the window:
isn't that redundant ?
Buy the Q1/Q2 2010 Report right now:
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Showing posts with label Demons Are Real. Show all posts
Showing posts with label Demons Are Real. Show all posts
Saturday, October 23, 2010
Saturday, October 02, 2010
Post-Future Squid Demons Pray to the Mask of Doctor Doom [#twitterfoundpoem, October 2, 2010]
Post-Future Squid Demons Pray to the Mask of Doctor Doom [#twitterfoundpoem, October 2, 2010]
Tweets+Edits=#twitterfoundpoem
you could make up any mask you like.
that's why u play the thirsty villain.
is it really bold or is it plain?
wear a plain outfit.
then wear a bold mask.
Amazon Queen mask,
squid mask,
a gas mask might be in order.
my whole thing is if u want to make your market
more successful, mask your person.
mask your person.
is it really bold or is it plain?
post-future squid villain demons
wear a mask, a bold bold mask:
a person mask with real skin.
Doctor Doom is who wakes me up everyday
and i'm 4ever grateful for super villian demons everyFUCKINGday;
grateful for his love,
this is why i pray.
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Tweets+Edits=#twitterfoundpoem
you could make up any mask you like.
that's why u play the thirsty villain.
is it really bold or is it plain?
wear a plain outfit.
then wear a bold mask.
Amazon Queen mask,
squid mask,
a gas mask might be in order.
my whole thing is if u want to make your market
more successful, mask your person.
mask your person.
is it really bold or is it plain?
post-future squid villain demons
wear a mask, a bold bold mask:
a person mask with real skin.
Doctor Doom is who wakes me up everyday
and i'm 4ever grateful for super villian demons everyFUCKINGday;
grateful for his love,
this is why i pray.
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Friday, September 10, 2010
Engineering a Demon [Today's News Poem, September 10, 2010]
Engineering a Demon [Today's News Poem, September 10, 2010]
Thrusting the thrashing snakes into the crusting and crashing quakes—
Baked then it's dusted with gunpowder; slaked with bones they busted:
Asphalt transmitted the lies. It's my fault. I'm smitten with skies
Frying the scramble and doing my crying through pipe-rambles.
Under the fortress of bedroom; the thunder shrieks through floor stress.
Tress of the spark from the wires—it will bless us: flames will embark.
“The death toll from the natural gas line explosion that leveled a San Bruno neighborhood grew overnight to four as federal investigators joined the probe into what caused the disaster.”
– John Wildermuth, Will Kane Marisa Lagos,Henry K. Lee, The San Francisco Chronicle, September 10, 2010
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/09/10/BAVQ1FBPMD.DTL&tsp=1
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Thrusting the thrashing snakes into the crusting and crashing quakes—
Baked then it's dusted with gunpowder; slaked with bones they busted:
Asphalt transmitted the lies. It's my fault. I'm smitten with skies
Frying the scramble and doing my crying through pipe-rambles.
Under the fortress of bedroom; the thunder shrieks through floor stress.
Tress of the spark from the wires—it will bless us: flames will embark.
“The death toll from the natural gas line explosion that leveled a San Bruno neighborhood grew overnight to four as federal investigators joined the probe into what caused the disaster.”
– John Wildermuth, Will Kane Marisa Lagos,Henry K. Lee, The San Francisco Chronicle, September 10, 2010
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/09/10/BAVQ1FBPMD.DTL&tsp=1
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Saturday, March 27, 2010
Guest Contributor: "Poker Face" By Rutherford Toady (aka rtoady)
Poker Face
March 27, 2010 By R. Toady
http://carrioncall.blogspot.com/
First thing you should know is we don't refer to ourselves as demons any longer. PR prefers that we use the term "alternative angels." Anyways, it takes nineteen of us alt-angels to control this particular subject. I'm an eye movement expert; though in these cases the eyes don't actually see anything, proper eye movement is essential when it comes to preserving the illusion that the suit is moving of its own volition. Things have changed a lot in the possession business since the old days when one would just take a lift to the surface and just leap into the body in question and, you know, go to town. I miss those days sometimes. In the digital age, possession is a strictly wireless operation, performed via remote control by a team of specialists. We all work at programming our particular bodily function- legs, head, heart, digestive system- and the commands go through a central processor which checks them for accuracy before beaming them via wireless signals to the subject, or suit. It's kind of like a marionette with nineteen different puppeteers pulling the strings. If this sounds complicated, you're right, it is, but remember we've been at this for thousands of years.
So as you know, recently I've been working with this subject we call Lady Gaga. Hey, don't blame me for the name; that's all Marketing's doing. It's not bad work, though I'd prefer a more established vocalist such as Streisand or Liza. I'm not so much into this dance music crap, but it's a job, and it could be a hell of a lot worse. Take for instance my former associate Horkheimer. Both of us started work on the Gaga woman at the same time, right before her second single came out. Poker Face, that's right. Gaga -or Steffi, as we called her- was what you call a cooperative subject, or coop, rather than a hostile takeover. Seems like more and more musicians are seeking out our services these days; I don't mean to brag but business is booming. Those guys and gals down in PR know what they're doing. The internet helps, of course.
Anyways, Horkheimer was a hand man. You probably don't think about how important the hands are when it comes to singing. Horkheimer had been controlling the hand gestures of female performers for a couple thousand years; his big breakthrough was a little chippy name of Salome, maybe you've heard of her. More recently, he's worked with such luminaries as Marlene Dietrich and Jane Avril. So we felt fortunate to have him on board. It's funny what years in the industry can do to a man though. Horkheimer had a wicked sense of humor that had a real sense of bitterness behind it. Plus he was a little bit full of himself, and I think he felt that by working with a young, relatively unknown singer, that he was slumming it. "Look," I'd tell him, "We're starting with nothing with this one. This is our chance to build whatever we want, to shape her into our image!"
He wasn't having any of it though. "She doesn't have any class," he'd kvetch. "That's something we can't fake. It's either there or it ain't, and with this Gaga bitch, it ain't." Now like I said, I prefer the more traditional vocalist myself, but I wasn't going to kick. I always believe in trying to make the best of things. Besides, my last couple of gigs had been the pits; working with strictly nowhere acts, boy bands mostly. The stories I could tell. But I digress.
So anyways this one time, Gaga's got this big concert to put on at some stadium in England, and we've got everything all programmed and ready to go, and she gets out there, and the first thing she does, before Goldsmith can get her to sing a single note, she raises her left hand, extends her left index finger, and shoves it as far as it will go up her left nostril and starts digging for gold, so to speak. Well, the crowd went nuts, screaming and booing and throwing half-empty cans of Boddingtons. It was a real clusterfuck, believe you me. We had to detain the entire audience, wipe their memories of the evening clean. What's that? Well, to you it may seem like an extreme reaction for such a minor incident. And I know what you're thinking: in the grand scheme of things, what harm can a little nose picking do? It's different in this business though, where careers can hinge on a single wardrobe malfunction, a single inappropriate gesture. It's all about keeping the client happy.
I haven't seen Horkheimer since; no one in our circle has, though rumor has it he's been stuck supervising bowel maintenance for some young act name of Justin Bieber or something. Poor son of a bitch. Me, I play it safe. No crossing or rolling of the eyes, no inappropriate winking. Keep your eyes on the prize, I always say, and keep your nose clean. I plan on being at this job for as long as I can, at least until the inevitable overdose.
We're giving her about five years.
--
Copyright Rutherford Toady, All Rights Reserved
http://carrioncall.blogspot.com/
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March 27, 2010 By R. Toady
http://carrioncall.blogspot.com/
First thing you should know is we don't refer to ourselves as demons any longer. PR prefers that we use the term "alternative angels." Anyways, it takes nineteen of us alt-angels to control this particular subject. I'm an eye movement expert; though in these cases the eyes don't actually see anything, proper eye movement is essential when it comes to preserving the illusion that the suit is moving of its own volition. Things have changed a lot in the possession business since the old days when one would just take a lift to the surface and just leap into the body in question and, you know, go to town. I miss those days sometimes. In the digital age, possession is a strictly wireless operation, performed via remote control by a team of specialists. We all work at programming our particular bodily function- legs, head, heart, digestive system- and the commands go through a central processor which checks them for accuracy before beaming them via wireless signals to the subject, or suit. It's kind of like a marionette with nineteen different puppeteers pulling the strings. If this sounds complicated, you're right, it is, but remember we've been at this for thousands of years.
So as you know, recently I've been working with this subject we call Lady Gaga. Hey, don't blame me for the name; that's all Marketing's doing. It's not bad work, though I'd prefer a more established vocalist such as Streisand or Liza. I'm not so much into this dance music crap, but it's a job, and it could be a hell of a lot worse. Take for instance my former associate Horkheimer. Both of us started work on the Gaga woman at the same time, right before her second single came out. Poker Face, that's right. Gaga -or Steffi, as we called her- was what you call a cooperative subject, or coop, rather than a hostile takeover. Seems like more and more musicians are seeking out our services these days; I don't mean to brag but business is booming. Those guys and gals down in PR know what they're doing. The internet helps, of course.
Anyways, Horkheimer was a hand man. You probably don't think about how important the hands are when it comes to singing. Horkheimer had been controlling the hand gestures of female performers for a couple thousand years; his big breakthrough was a little chippy name of Salome, maybe you've heard of her. More recently, he's worked with such luminaries as Marlene Dietrich and Jane Avril. So we felt fortunate to have him on board. It's funny what years in the industry can do to a man though. Horkheimer had a wicked sense of humor that had a real sense of bitterness behind it. Plus he was a little bit full of himself, and I think he felt that by working with a young, relatively unknown singer, that he was slumming it. "Look," I'd tell him, "We're starting with nothing with this one. This is our chance to build whatever we want, to shape her into our image!"
He wasn't having any of it though. "She doesn't have any class," he'd kvetch. "That's something we can't fake. It's either there or it ain't, and with this Gaga bitch, it ain't." Now like I said, I prefer the more traditional vocalist myself, but I wasn't going to kick. I always believe in trying to make the best of things. Besides, my last couple of gigs had been the pits; working with strictly nowhere acts, boy bands mostly. The stories I could tell. But I digress.
So anyways this one time, Gaga's got this big concert to put on at some stadium in England, and we've got everything all programmed and ready to go, and she gets out there, and the first thing she does, before Goldsmith can get her to sing a single note, she raises her left hand, extends her left index finger, and shoves it as far as it will go up her left nostril and starts digging for gold, so to speak. Well, the crowd went nuts, screaming and booing and throwing half-empty cans of Boddingtons. It was a real clusterfuck, believe you me. We had to detain the entire audience, wipe their memories of the evening clean. What's that? Well, to you it may seem like an extreme reaction for such a minor incident. And I know what you're thinking: in the grand scheme of things, what harm can a little nose picking do? It's different in this business though, where careers can hinge on a single wardrobe malfunction, a single inappropriate gesture. It's all about keeping the client happy.
I haven't seen Horkheimer since; no one in our circle has, though rumor has it he's been stuck supervising bowel maintenance for some young act name of Justin Bieber or something. Poor son of a bitch. Me, I play it safe. No crossing or rolling of the eyes, no inappropriate winking. Keep your eyes on the prize, I always say, and keep your nose clean. I plan on being at this job for as long as I can, at least until the inevitable overdose.
We're giving her about five years.
--
Copyright Rutherford Toady, All Rights Reserved
http://carrioncall.blogspot.com/
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